Hamburg, 1938. A group of young people, among
them Gunther Lust, is wandering the city in strange attire. They
have light raincoats, long hair, some have hats on and their
shoes have crepe soles. One of them has a portable gramophone
and Gunther has several shellac records. They gather by the
watertower, where they are joined by girls. Suddenly swing music
can be heard from the gramophone and they start dancing.
British and American music was the focus in
the lives of many young people in the large German cities in
1938-1945. Their idols were Benny Goodman, Duke Ellington, Fats
Waller, Artie Shaw and Louis Armstrong. They set the trend for a
completely new lifestyle: chic stylish clothing, ecstatic dance
and much fun for all.
The film Swing gegen die Nazis
shows that some young people - despite their compulsory
membership of the Hitlerjugend and the increasing
repression and the persecution of nonconformists - aspired to
and enjoyed a cheerful and carefree youth. In a certain sense
they were the precursors of what we now call the post-war youth.
The film puts into perspective the apparent
total domination of the Hitlerjugend and National
Socialism on daily life in Germany in the pre-war years and
shows that for some there was `freiraum'. However the punitive
call-up of many `swingers' when war broke out brought the swing
era to an abrupt end...